Download Ebook , by Tao Lin
Download Ebook , by Tao Lin
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, by Tao Lin
Download Ebook , by Tao Lin
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Product details
File Size: 3806 KB
Print Length: 257 pages
Publisher: Vintage (June 4, 2013)
Publication Date: June 4, 2013
Sold by: Random House LLC
Language: English
ASIN: B00ALBR204
Text-to-Speech:
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Amazon Best Sellers Rank:
#503,661 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This could easily be 5 stars, I'll reread at some point.. it is I think very difficult to argue that it isn't at least innovative in it's style and approach to prose, I can also see why people felt it boring or self absorbed or whatever, it's certainly not "exciting" or "thrilling" in any conventional sense, the Brooklyn are Brooklyn references and it can occasionally feel like Tao is flattering himself recounting specifically audacious, incremental and ever increasing levels of drug use throughout, but it still feels painfully accurate and the originality of Tao's particular dead pan weaving and his ability to break down certain emotions, feelings (or lack of), and super ordinary situations is what really shines and makes this a dark, modern - if perhaps stilted, meandering tale still well worth excavating.Why not 5 stars?.. Well, the very particular brand of humor seems to wear itself thin at times, probably because it operates in such a dry and narrow vein with the limited dimensionality of the first person narration thru this character, which can be tiring, but that also is the intention and what conveys the character's consistently depressed and strung out narrative so well. So i guess I feel that however great I find the writing to be, the perspective of the narrator that we're forced to inhabit is just such that it can flatly feel like a labor at times, especially if you've moved on from the point in your life of having to deal with the weighted, monotonous, empty feeling one gets from certain drug use and or/ depression and aren't necessarily thrilled about wading back in, especially without the obvious benefits.Still Tao's originality of approach makes it all worthwhile and a even water mark of sorts in contemporary writing (ok maybe it's a 5..).
one of the best novels of the century, if you haven't heard.
Great condition thanks.
Paul, the "hero" of Tao Lin's novel, is a twentysomething writer who lives in Brooklyn. The "action" of the novel is Paul travelling to his book readings, visiting his parents in Taiwan, and hooking up with Erin, a woman he sort of loves and sort of doesn't.Paul also takes drugs, lots of drugs. Unlike the Beats, who took drugs to find ecstatic union with a friend or the universe, or the Hippies, who got high to get on the fast track to enlightenment, Paul has no grand rationalization for his massive ingestion of psychedelics, uppers and downers. All Paul and his friends seem to be reaching for is respite from some deep and nameless anxiety. Their drug use lacks the desperation of addiction, but it doesn't feel fun either. More like grim obligation, which is what reading about it finally feels like as well.Taipei provides a minutely detailed examination of a consciousness shaped more by the digital than the analog world. The novel has a flat, affectless, often convoluted prose style that poses interesting challenges to our assumptions about what constitutes art. We've put the tools of communication into Everyman's hands, but blogging, tweeting, posting, uploading, narrowcasting, etc is not the same as creating a polished artistic statement. Lin makes that point beautifully (maybe even intentionally) when Paul and Erin get high and go to a MacDonald's in Taipei, where they make a boring, inane, juvenile faux documentary with iMovie.There is a long, honorable history in the novel of writers diving deeply into a single consciousness to reveal truths about how we process the world around us. What makes this book such a slog at times is that Paul never engages the people and places around him in a meaningful way. If this novel was meant as a send up of Brooklyn hipsterdom, it should have been funnier. If it was meant to chronicle this iteration of lost twentysomethings, it should have more shading and social context. Instead we have a main character who is both self-absorbed and anhedonic, not a pretty combination. Paul's consciousness is like a dark star, collapsing endlessly inward, sucking in all the light around it.
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