Ebook Download I Am the Beggar of the World: Landays from Contemporary Afghanistan
Ebook Download I Am the Beggar of the World: Landays from Contemporary Afghanistan
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I Am the Beggar of the World: Landays from Contemporary Afghanistan
Ebook Download I Am the Beggar of the World: Landays from Contemporary Afghanistan
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From Booklist
*Starred Review* In The Tenth Parallel (2010), Griswold offered keen geopolitical insight by cataloging ongoing religious strife in contentious locales, including Indonesia, Nigeria, and Sudan. Here, the globetrotting Griswold recruits renowned photographer Seamus Murphy to provide the visuals, and turns her attention to Afghanistan in order to record a collection of landays, Afghani folk poems, typically sung by women in private. With the help of local guides and Pashto translators, Griswold convinces women to share couplets that touch on a wide range of emotions and themes, from love and grief to separation and war. Because the lyrics remain anonymous over generations, Afghan women use them to express freely their desires and frustrations, yet still risk violating Taliban strictures against song and dance. From heartbreaking indictments of fathers who sell their daughters into slavery to humorous, techno-savvy posts on a Pashto Landay Facebook page, Griswold’s selections illustrate the rich potential of this poetic form, at once contemporary and timeless. Murphy’s stunning photographs complement the text perfectly, capturing children at play in refugee camps outside Kabul, smiling U.S. soldiers pointing squirt guns, and armed militants marching through the mountains. A timely, indispensable, and unforgettable poetic documentary. --Diego Báez
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Review
“Griswold's translations mark a stunning handling of [landay's] complex 'beauty, bawdiness, and wit.' Flanked by Murphy's photographs, with their striking blend of wartime journalism and human compassion, Griswold's couplets are peppered with brief prose passages in which she delves into cultural and historical traditions that inform the humor and gravity of her translations . . . a collection that may indeed be remembered as a groundbreaking work of translation and poetic journalism.†―Publishers Weekly“Eliza Griswold and Seamus Murphy have made a book that is necessary reading for anyone who has ever made assumptions from a distance about what a burka-wearing woman might be like, and for anyone who cannot fathom how poetry could get you killed. In other words, this book is a must-read for every U.S. citizen . . . Griswold's and Murphy's work might be a crucial turning point in the education of Americans about the real world and the place of poetry in it.†―Daniel Bosch, The Daily Beast“The book's greatest strength is the complicated spectrum of voices that it allows these women, whom we wouldn't otherwise know anything about. I Am the Beggar of the World casts Pashtun women as vibrantly self-aware and autonomous . . . Griswold finds a way to present these poems and images in juxtaposition so that they evoke a multiplicity of voices and views, giving an almost democratic quality to the anthology's populace.†―Jay Deshpande, The Millions“*Starred review* "From heartbreaking indictments of fathers who sell their daughters into slavery to humorous, techno-savvy posts on a Pashto Landay Facebook page, Griswold's selections illustrate the rich potential of this poetic form, at once contemporary and timeless. Murphy's stunning photographs complement the text perfectly, capturing children at play in refugee camps outside Kabul, smiling U.S. soldiers pointing squirt guns, and armed militants marching through the mountains. A timely, indispensable, and unforgettable poetic documentary.†―Diego Báez, Booklist“I Am the Beggar of the World, translated by journalist and poet Eliza Griswold, with photos by Seamus Murphy, collects passionate, polemical, and traditionally secret two-line folk poems by Pashtun women on topics ranging from education, war, and personal autonomy to marriage, faith, loss, and homeland.†―Elle“I Am the Beggar of the World is a great and satisfying work. I applaud Eliza Griswold and Seamus Murphy. It is an essential look at the women of Afghanistan and the voices of dissent at risk of being suppressed when the American forces withdraw.†―Sahera Sharif, Member of Afghanistan’s Parliament, founder of nationwide women’s literary circle, Mirman Baheer“The poems in I Am the Beggar of the World cut like a knife-they are short, sharp-and leave you bleeding. They are the most direct voices of the inner life of Afghan women, and prove that these women, despite all hardships, are still standing. These two-liners make the reader feel close to the women that we've seen so often on the screen wandering like blue-clad ghosts on the dusty roadsides. A heart is a heart anywhere in the world.†―Åsne Seierstad, author of The Bookseller of Kabul“I Am the Beggar of the World is a revelatory book about Afghanistan, one sure to turn all the stereotypes about the country's women on their heads. The poems, equally art and reportage, are often poignant, more often witty, even pungent. They, along with the accompanying text and photographs, illuminate the beauty of the country and its culture, the sadness of its history, and the humor, the hopes, the bitterness, and even the contradictions its women-no different than women anywhere-carry in their hearts. This is an important book, but to describe it only that way is to neglect how deeply pleasurable it is to read.†―Amy Waldman, author of The Submission“Eliza Griswold brings a poet's sensibility, a folklorist's skills, and a journalist's savvy to these startling and incendiary folk poems by Afghan women, which she has so daringly collected and translated. With its arresting photographs and heartbreaking two-liners, I Am the Beggar of the World enlarges our sense of the work that poetry does in the world.†―Edward Hirsch, author of The Living Fire“This is poetry of a rural tradition that is as world-wise, war-wise and uniquely sophisticated as any collection of writing by women, anywhere.†―Carol Muske-Dukes, author of Twin Cities
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Product details
Hardcover: 160 pages
Publisher: Farrar, Straus and Giroux (April 1, 2014)
Language: English
ISBN-10: 0374191875
ISBN-13: 978-0374191870
Product Dimensions:
6.4 x 0.8 x 8.5 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
23 customer reviews
Amazon Best Sellers Rank:
#1,039,880 in Books (See Top 100 in Books)
This is a terrific collection of poems from women whose work is rarely noted. I'm an avid fan of the works by Middle Eastern women and teach a course on this literature at my university. There is an amazing body of work from the women of this region.
The landays and women who wrote them are enlightening and inspiring. I went to a reading by Eliza Griswold and was so moved by the amazing prose these women have created and the lengths they go to in order to share them with each other, often risking their lives. It's devastating how these women and their voices are oppressed by the Taliban. Hearing these poems makes a great case for funding more education for girls in Afghanistan and other Taliban-run areas.
Beautiful, moving and mesmerizing language. Courageous research. Stunning, haunting photographs. A work of great beauty. A book to read and re read over and over again.
Womens' oral poetry from Afghanistan--The explanatory sections weren't quite as seamless as I would have liked--Although they were necessary for understanding the Landays
Real, alive and full of spirit and hope. It gave me a much better understanding of what the lives of these women are like.
a stunning, intriguing book - highly recommended
An interesting and haunting book.
I liked it so much that I bought a second copy for a friend.
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